FilmUpdates and DiscussingFilm each put the film’s Letterboxd rating at 4.8 on October 17.
FilmUpdates and DiscussingFilm reported on October 17 that ‘You Can See Everything’ had a 4.8 Letterboxd rating, making it the platform’s highest-rated feature film of all time.
707.8K
3 Sources, first seen ago
The Letterboxd score for You Can See Everything was moving quickly on October 17. Film Updates and DiscussingFilm both reported that the film had reached 4.8, describing it as the platform's highest-rated feature film.
‘YOU CAN SEE EVERYTHING’ has risen to a 4.8 rating on Letterboxd, making it the highest-rated feature film of all time on the platform.
Those posts came after an earlier Forbes snapshot put the score at 4.7 and the title fourth across all Letterboxd entries. Forbes said the three entries ahead of it were a live Radiohead concert and two television series, and cautioned that the ranking was not final as more ratings arrived.
A24's official page lists Nathan Fielder and Lance Oppenheim as directors of the 2-hour, 55-minute documentary, which opened in theaters October 16. Its premise begins 34 days before Elizabeth Holmes goes to prison, when she invites a skeptical film crew to document her life. A24 says that intimate portrait grew into a three-year project.
#3
#3
Positive replies hailed ‘YOU CAN SEE EVERYTHING’ reaching a record 4.8 on Letterboxd as a genuine achievement, while negative replies called the rating fake and inflated for clout or dismissed the film as overrated and a waste of time.
Based on 139 sentiment-bearing replies from 114 accounts across 2 conversations.
Positive replies hailed ‘YOU CAN SEE EVERYTHING’ reaching a record 4.8 on Letterboxd as a genuine achievement, while negative replies called the rating fake and inflated for clout or dismissed the film as overrated and a waste of time.
Based on 139 sentiment-bearing replies from 114 accounts across 2 conversations.
FilmUpdates names Nathan Fielder and Lance Oppenheim in its claim about the film’s standing on both sites.
ERCboxoffice called the haul “massive” for a nearly three-hour documentary, putting its figure at $1.7 million.
