World & Business“Indie” film rules and a recession clause in the Paramount–Warner Bros. settlement
A co-author of Puck’s breakdown says the settlement counts Sinners and Tenet as “indie” films, requires no California filming and allows headquarters anywhere.
TLDR
Puck examines the political, legal and financial forces behind the settlement involving David Ellison and Rob Bonta. Sharing the analysis, a co-author criticizes several terms: Sinners and Tenet count as “indie” films, there is no requirement to film in California, headquarters can be anywhere, and a “recession” voids the agreement.
“Indie” film rules and a recession clause in the Paramount–Warner Bros. settlement
A co-author of Puck’s breakdown says the settlement counts Sinners and Tenet as “indie” films, requires no California filming and allows headquarters anywhere.
