LLOUD says audiences in select territories will get a look at Lisa’s new EP before the film.
LLOUD announced on October 11 that Always Lalisa would reach cinemas and IMAX the next day, with a look at Lisa’s new EP before the film in select territories. The film’s official site lists limited screenings from October 12.
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LLOUD announced that Always Lalisa will begin cinema and IMAX screenings on October 12. The company said audiences in select territories will also see a “special look” at Lisa’s new EP before the documentary.
The film follows Lisa during a year away from Blackpink as she pursued solo projects. The Hollywood Reporter says that period included the release of her first full-length album, Alter Ego, an acting role in The White Lotus and a solo Coachella appearance. The documentary also visits Lisa’s family and friends in Thailand and follows her return to South Korea to reunite with Blackpink.
Director Sue Kim told THR that she wanted to include more Blackpink songs, music videos and trainee-era material, but the production could not secure licenses for the music or footage. THR identifies Lisa’s new EP as Press Play, due October 23, and says Always Lalisa will play in theaters for a limited time beginning October 12.
@lalisamggerSue Kim wanted to include more of BLACKPINK’s songs and music videos in Always Lalisa, especially from Lisa’s trainee years, so audiences could hear what she sounded like as a member of the group. But despite their best efforts, they weren’t allowed to license the music or footage from her previous label, so they couldn’t include it. Kim said that was their only interaction with Lisa’s previous label and that they weren’t able to include the small amount of K-pop history she wanted to bring into the film.
@blinksunitedtwtThe director wanted to incorporate more of @BLACKPINK’s songs and music videos, particularly from the trainee years, so audiences could hear what #LISA sounded like as a member of the group. Ultimately, it didn’t work out logistically. “Despite our best efforts, we were not allowed to license the music or the footage, so that was it. That was our only interaction with her previous label and the small amount of the K-pop lore that I wanted to bring into it, we weren’t able to.”
@nicole07133Nobody has ever gotten it like this person gets it@lalisamggerSue Kim wanted to include more of BLACKPINK’s songs and music videos in Always Lalisa, especially from Lisa’s trainee years, so audiences could hear what she sounded like as a member of the group. But despite their best efforts, they weren’t allowed to license the music or footage from her previous label, so they couldn’t include it. Kim said that was their only interaction with Lisa’s previous label and that they weren’t able to include the small amount of K-pop history she wanted to bring into the film.@blinksunitedtwtThe director wanted to incorporate more of @BLACKPINK’s songs and music videos, particularly from the trainee years, so audiences could hear what #LISA sounded like as a member of the group. Ultimately, it didn’t work out logistically. “Despite our best efforts, we were not allowed to license the music or the footage, so that was it. That was our only interaction with her previous label and the small amount of the K-pop lore that I wanted to bring into it, we weren’t able to.”@nicole07133Nobody has ever gotten it like this person gets it@lalisamggerSue Kim wanted to include more of BLACKPINK’s songs and music videos in Always Lalisa, especially from Lisa’s trainee years, so audiences could hear what she sounded like as a member of the group. But despite their best efforts, they weren’t allowed to license the music or footage from her previous label, so they couldn’t include it. Kim said that was their only interaction with Lisa’s previous label and that they weren’t able to include the small amount of K-pop history she wanted to bring into the film.@blinksunitedtwtThe director wanted to incorporate more of @BLACKPINK’s songs and music videos, particularly from the trainee years, so audiences could hear what #LISA sounded like as a member of the group. Ultimately, it didn’t work out logistically. “Despite our best efforts, we were not allowed to license the music or the footage, so that was it. That was our only interaction with her previous label and the small amount of the K-pop lore that I wanted to bring into it, we weren’t able to.”@nicole07133Nobody has ever gotten it like this person gets it@lalisamggerSue Kim wanted to include more of BLACKPINK’s songs and music videos in Always Lalisa, especially from Lisa’s trainee years, so audiences could hear what she sounded like as a member of the group. But despite their best efforts, they weren’t allowed to license the music or footage from her previous label, so they couldn’t include it. Kim said that was their only interaction with Lisa’s previous label and that they weren’t able to include the small amount of K-pop history she wanted to bring into the film.@blinksunitedtwtThe director wanted to incorporate more of @BLACKPINK’s songs and music videos, particularly from the trainee years, so audiences could hear what #LISA sounded like as a member of the group. Ultimately, it didn’t work out logistically. “Despite our best efforts, we were not allowed to license the music or the footage, so that was it. That was our only interaction with her previous label and the small amount of the K-pop lore that I wanted to bring into it, we weren’t able to.”@nicole07133Nobody has ever gotten it like this person gets it—
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