Tony Gilroy recalls preparing to put 'Behemoth!' on hold before lunch with Pedro Pascal

Gilroy recalls preparing to tell his crew they were not making 'Behemoth!' at that point after Oscar Isaac left, but a three-hour lunch with Pedro Pascal changed his mind. Pascal began learning cello the next day for the role of a musician returning to Los Angeles. Gilroy views the film as a story about family and 'new varieties of loneliness.'