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Elizabeth Holmes and Nathan Fielder’s interventions in ‘You Can See Everything’

The New Yorker calls the film astonishing and focuses on Holmes’s “sustaining certainties.”

Richard BrodyRB
1 Source, 4h ago, first seen 4h ago

TLDR

The New Yorker describes ‘You Can See Everything’ as a film of Elizabeth Holmes and her “sustaining certainties.” It says surprising emotional power arises from this round of Nathan Fielder’s interventions.

Combined views

22K

1 Source, first seen 4h ago

410 likes6 comments115 saves43 reposts

Combined views

22K

1 Source, first seen 4h ago

410 likes6 comments115 saves43 reposts

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1 Source

Richard Brody@tnyfrontrowYou Can See Everything is an astonishing film of Elizabeth Holmes and her sustaining certainties, of the surprising emotional power arising from this round of Nathan Fielder's interventions: https://www.newyorker.com/magazine/2026/10/19/you-can-see-everything-movie-review4h
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    1 Source

    Richard Brody@tnyfrontrowYou Can See Everything is an astonishing film of Elizabeth Holmes and her sustaining certainties, of the surprising emotional power arising from this round of Nathan Fielder's interventions: https://www.newyorker.com/magazine/2026/10/19/you-can-see-everything-movie-review4h
    Today's Rank

    #13

    Today's Rank

    #13