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Does Opus 5.5 feel like Sonnet 3.6 at a high level?
A user recalls objections to calling Claude a “friend” and says they’ve seen little similar concern about Opus 5.5.
TLDR
One post asks whether Opus 5.5 resembles Sonnet 3.6 at a high level. Another user agrees and recalls a debate over calling Claude a friend, including fears of something “evil” pretending to be one. They say they’re surprised by how little similar concern they’ve seen about Opus 5.5.
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